Tag Archives: Rob Roper

The Missing Years (Part 1)

Anit-war Movement, autobiography, Democratic Party, Democrats, FBI, Rob Roper, Socialist Workers Party, Spying, SWP, Vietnam, Young Socialist Alliance, YSA,

1972-1974 Age 18-20

(This is the third chapter of my autobiographical series. Go here for Chapter 1 and here for Chapter 2. It was initially sent to my music fan email list on August 29, 2020. I have edited it slightly for the blog.)

The previous blog, “LIttle White Boy Part 2,” ended with me graduating from high school in 1972.  This blog is the first of what I call my “Missing Years.”  You’ll see why I call them that.  This one picks up with after high school graduation and covers the next 3 years of my life. 

My First Two College Years in Dallas, 1972-1974

I had started college in the fall of 1972 at Mountain View Community College in Dallas.  I was the oldest of 7 kids (my mom was Catholic, remember) and my parents couldn’t afford to send me to a university.  I didn’t put forth much effort in applying for scholarships because I was so shy that the idea of going to a university in another city where I didn’t know anyone was a little scary to me.  So I stayed home and went to the community college where many of my other closest friends were going.

1972:  My First Election

In May, 1972, I graduated from Kimball High School in Dallas.  Three months later, I turned 18 and was eligible to vote for the first time.  That summer, George McGovern had been nominated by the Democrats to run against Nixon for President.  He had used the anti-war movement to get the nomination.  But when I watched his acceptance speech, live on TV, rather than praise the Americans who had protested the war– including the soldiers– he sucked up to the pro-war crowd.  I was appalled and angry at this utter betrayal of the people who supported him.  He lost my vote right there. 

The League of Women Voters used to send out a voting guide with information on all the candidates before an election.  There were socialists running.  Now I had somebody to vote for.  They were called the Socialist Workers Party (SWP).  They were against the war, anti-racist, pro-labor, pro women’s rights, and condemned the duplicity of the Democrats.  They got my vote.  To this day, I don’t vote for Democrats or Republicans.  I don’t play the lesser-evil game.  I only vote for candidates whose platform I support.  Eugene Debs, the Socialist Party candidate for President in 1920, said, “It’s better to vote for what you want and not get it, than to vote for what you don’t want and get it.”  The lesser evil is still evil.

Not a Democrat, or Republican
    –from Misfit by Rob Roper 

Work

I’ve worked jobs since I was eleven years old.  My first jobs were mowing neighbors’ yards for money.  After moving to Dallas, I got jobs delivering newspapers early in the morning.  My first on-the-books job was in the summer between my sophomore and junior years, when I was 15.  I worked as a lifeguard at a City of Dallas swimming pool.  Then, at some point in my junior or senior year of high school, I got a job at a Target store, unloading trucks.  Most of the money I made was stashed in a savings account.  Some went to buy a good stereo system and records.  Money well spent!

Vietnam and the Draft

At some point in 1973, I took a full-time job at the City of Dallas water department.  I was working second shift, 3-11pm.  I only had to work about 3 hours of the time, so I had time to do homework.  There was one other person working second shift with me, a Black man in his early 20’s named Charles.  Charles had been in Vietnam and told me stories of what it was like.  Lieutenants right out of West Point, clueless about the reality of Vietnam, making soldiers stand for inspection each morning in the jungle when there were snipers around– stupid and dangerous.  This lieutenant was “fragged”– killed by his own troops.  I learned later that the majority of US officers killed in Vietnam were fragged.  Charles told me that he once saw his sergeant shelling a Vietnamese farmer’s crops with mortars just for sadistic fun.  Charles aimed his M-16 at him and told him if he fired one more round he’d kill him.  Charles’ best friend was killed in battle right next to him.  Life was cheap, and it was largely random luck who lived and who died.  The Hmong people sold heroin to US soldiers.  This was allowed by the US military because the Hmong were pro-American and anti-communist, and the US had few friends among the Vietnamese they were supposedly protecting from communism.  Charles started using heroin after seeing his friend killed.  I think he had gotten off it by the time I met him.  Now he just smoked pot.  We would talk politics and music at work.  Charles turned me on to the legendary comedian Richard Prior.

When I turned 18 on August 31, 1972, I had to register for the draft.  At that time, they had gone to a lottery.  Birthdays were randomly picked.  I was worried about what I would do.  By 1972, even in conservative Dallas, Texas, most young people were against the Vietnam War.  There were only 3 choices if drafted:  go into the army, go to prison, or go to Canada.  They were all bad choices.  If I was too shy to go to a university in a nearby Texas town, I definitely couldn’t imagine going to Canada.  Going to prison was scary.  And I definitely didn’t want to join the army.  Oddly enough, it wasn’t the risk of being killed that scared me, I was terrified that I would have to kill people– people who I had nothing against.  But I never had to choose;  my birthday was a very high number in the lottery;  only the first 13 birthdays were chosen.  Nixon had been steadily withdrawing troops, due to pressure from the anti-war movement, and because the troops were rebelling and refusing to fight.  An agreement would be signed with North Vietnam in January, 1973, and the rest of the troops would be withdrawn.  Without US troops doing the fighting, the puppet South Vietnamese government would fall two years later.

Music in Dallas

Working full-time at the City of Dallas allowed me to move out from my parents and get my own apartment.  I loved being on my own.  My apartment was just north of downtown Dallas, where there was a great record store and several live music clubs.  What more do you need?  I lived near the now-legendary Mother Blues, now immortalized by Ray Wylie Hubbard in a song.  Check out this video of Ray performing the song, it’s funny.  I saw Ray perform there as well as a lot of other people.  And there were other live music venues in the area as well, although I’ve long forgotten their names.  I remember seeing Jimmy Buffett playing as an acoustic duo in a small bar near my apartment, before he became famous.  He was hiliarious.  It was just before his great album A1A was released, so I heard those songs first at that little bar.  When he played “Door #3”– a co-write with Steve Goodman, I thought I would die laughing.

Joining the Young Socialist Alliance

The 1972 League of Women Voters voting guide had listed the address of the SWP campaign office in Houston.  They had a youth group called the Young Socialist Alliance (YSA).  I wrote to them and asked to join.  In early 1973, I became a member.  Throughout 1973 and 1974 I read the newspapers of the Socialist Workers Party (SWP) and Young Socialist Alliance (YSA), as well as a lot of books and pamplets.  I became aquainted with their brand of socialistm and Marxism.  The SWP and YSA were Trotskyist;  their origin was in the factional fight between Stalin and Trotsky after the Russian Revolution.  As you know, Stalin won that fight and Trotsky was exiled and eventually murdered by Stalin.  Trotsky and his followers said they supported socialism and democracy, which appealed to me.  There was no way I would have supported any anti-democratic or repressive form of socialism.  I was someone who liked to read different ideas, analyze them, and debate them.  I liked to think for myself and form my own opinions.  Still do.

The FBI Spies on Me

After I completed my second year of college in 1974, I took a break from college.  After 14 years of school, I was just tired of doing homework.  Later that year, the City of Dallas water department moved me to the graveyard shift, 10pm-6am, which included weekend nights.  That ruined my ability to go to the music clubs.  Nobody played on Monday and Tuesday nights, my nights off.  It also made it hard to have girlfriends.  Looking back on it, I wonder if that was done because of my politics.  Or maybe it was because I was trying to organize a union.  (In going through my old stuff, I found a union card from February 1974.  I don’t remember that.)  So maybe they were trying to get me to quit.  If so, they succeeded.

I found out later that the FBI was spying on me.  After the Watergate scandal which caused President Nixon to resign, Congress passed the Freedom of Information act.  Activists and journalists had previously exposed the FBI’s Counterintelligence Program (COINTELPRO), which showed that the FBI was spying on civil rights, antiwar and other groups engaged in peaceful, lawful political dissent.  I was curious what they had on me, so in 1980 I requested my files.  I found out that the FBI had interviewed my teachers at Mountain View Community College.  The FBI agent wrote, “ROPER has been characterized by his teachers as being intelligent and idealistic, but is a person who will, in most probability, re-evaluate his purpose in life and will establish himself as a useful member of society working within acceptable parameters.”  Obviously they were wrong lol.

Now the government’s unconstitutional spying is even bigger.  In 2013, an employee of the CIA, Edward Snowden, revealed that the National Security Agency (NSA) was tapping into information from Google, Facebook and other internet companies, including cellphone data, to spy on not just activists, but all Americans.  Snowden had to flee the country, because he knew that he would be imprisoned and possibly executed for being a whistle-blower, but he believed that Americans had a right to know what their government was doing to them.  His autobiography, Permanent Record, is well worth reading.  I wrote a song about this, Metadata, which I plan to include on my new album.

We’re watching you.  Watching everything you do.
    –from Metadata by Rob Roper.  To be recorded and released on my new album.

In the next chapter, I move to Houston, attend the University of Houston, and become more active in the SWP/YSA. 

Little White Boy (Part 2)

autobiography, Civil Rights Movement, Rob Roper,

My Teenage Years

(This is a continuation of my autobiographical series. Go here for Part 1. It was initially sent to my music fan email list on August 19, 2020. I have edited it slightly for the blog.)

In my last email about my childhood, I mentioned Jorge, my best friend from the 7th Grade.  It was Jorge who, after we had moved to Dallas, sent me the Jackson Catholic high school student newspaper endorsing a Black candidate for governor, with the quote from “Southern Man” on the cover.  Jorge’s dad was a doctor from Mexico, and his mom a Yankee Catholic, like mine.  (Have you noticed the misfit theme yet?)  Jorge had a guitar and was taking lessons, and I would go to his house after school and he would show me songs he had learned.  I remember he could play “All My Loving” by the Beatles and “House of the Rising Sun” by the Animals.  Jorge also turned me on to Tom Lehrer, who wrote satirical political songs.  It was my first exposure to combining music and politics.  I loved it.

I got an acoustic guitar for Christmas ’66 and started taking lessons, too.  I was taught to read music and play song melodies, and learned basic chords as well.  I had a fundamentals guitar book with chords, and also a book of songs by Herb Alpert and the Tijuana Brass, which was big at the time.  The teacher and I would trade off playing chords and melody.  But I quit lessons after 5 months because baseball season was starting, and I wanted to focus on my last year in Little League.  I was the leadoff hitter, batted .396 and made the all-star team.  My athletic career was on downhill after that, because the other boys grew and I didn’t. 

(That’s me in the center, behind the pretty girl.)

The Move to Dallas

My dad took a new job in Dallas, Texas that summer.  The family moved there in August, 1967, right after my final All-Star game.  I began 8th grade in a huge public Jr. High School with thousands of kids– a dramatic contrast to the small Catholic elementary school I came from.  I was shy, I knew nobody, and I was the smallest boy in the 8th grade.  It seemed like I was surrounded by giants.  And Dallas public schools were still segregated in 1967, so there were no black students.  I remembered thinking that Texas was more backward than Mississippi.  I missed Jackson and my friends.

I soon made friends, however, with a guy named Richard who had a drum kit.  I bought an electric guitar and amp from Sears, and took it to his house.  I remember trying to play songs by the Ventures.  I also have vague memories of jam sessions in someone’s garage.  There would be about 8 guitar players, no bass player and a drummer.  I learned at my 20th high school reunion that Stevie Ray Vaughn was my classmate.  I don’t remember him.  It’s likely he was in those jam sessions.

The Sixties

My teenage years were during the late “Sixties.”  But it was visible to me only on the TV news and magazines like Newsweek and Life.  Not much “Sixties” were happening in Dallas, at least where I lived and went to school.  Not until my senior year anyway.  Just before my senior year, the dress code was eliminated as a result of a lawsuit, and the public schools were finally integrated, as a result of another lawsuit.  The “Sixties” had arrived in Dallas– in 1971.   

At some point– I think I was fifteen– my mom pulled us out of the Catholic Church right up the street from us, and drove us across town to a smaller church in what seemed to me to be a poor neighborhood.  (My sister recently told me that it was because the priest gave a sermon condemning Catholics for marrying Protestants– which, of course, included my mom.)  There was a Mass in Spanish for the Mexican-American population, and a young priest who gave sermons supporting the farmworkers strikes.  This priest also started a youth Mass on Sunday afternoons at 5:30, and encouraged us to play 60’s folk songs.  I became the leader of that ensemble.  After Mass, the youth group met and discussed current affairs.  The youth group was multi-racial, with Blacks, Mexican-Americans and whites like me.  Some of them became my closest friends.  There were two black brothers, Duane and Mike, whose parents would let us hang out at their house and drink beer and listen and dance to music. 

Sixties Music

Those were good times.  My friends turned me on to a lot of good music, including The Temptations and Santana, and I probably brought some records too.  I may have brought “4-Way Street,” the live double album by Crosby, Stills, Nash and Young.  Included on that album was Neil Young’s song, “Southern Man.”  I listened to that album– and that song– over and over and over.  The lyrics spoke to me and my life.  And I loved the long jams and guitar solos by Young and Stills.  I would play air guitar to that song (and sing air vocals) in the living room at night after dinner.  I dreamed that I would be in a rock band someday, singing political protest songs, and rocking out on electric guitar.  After high school, I resumed guitar lessons and learned more advanced chords and blues lead guitar.

In the summer of 1971, between my junior and senior year of high school, at a trip to the local library, I was looking in the political section and found a book by Norman Thomas about socialism.  Thomas had been the perenial Presidential candidate of the Socialist Party in the US.  The book made an impression on me, and I began calling myself a “socialist” during my senior year of high school.  I remember having lively conversations at the lunch table in high school.  I was on the left, and my friend Louis held down the right.  The rest of the boys and girls ranged in between. 

Louis lived up the street from me.  Despite our different political views, we were good friends, and Louis was my musical mentor.  He turned me on to “underground” music when I was around 15.  Up til then, the only music I knew was popular Top-40 music by bands like Gary Lewis and the Playboys, the Herman’s Hermits, and the Dave Clark Five.  Louis said, “we got to get you off that.”  And he did.  He turned me on to albums by Grand Funk Railroad, the Mothers of Invention, Jefferson Airplane, and other bands that are considered “classic rock” now, but back then, were definitely NOT played on commercial radio.  I never went back to pop music. 

The Gospels and Atheism

Also around this time I had become an atheist.  I started having doubts about the existence of God in junior high school, but decided I’d better believe because, when I died, if it turned out that God did exist, I’d be sentenced to hell for eternity for not believing.  But by my senior year of high school, I decided that if God did exist, surely he wouldn’t be so vain as to judge people solely on whether they believed in him or not.  Surely how you treated your fellow humans would count more.  Being raised Catholic, and being part of the Catholic youth group, I knew the teachings of Jesus from the gospels, and I knew that the gospels emphasized how you acted and treated other people, especially the poor and outcast. 

My Mom and Katherine Drexel

Please permit me a necessary short digression.  In the 1891, Katherine Drexel, of the wealthy Philadelphia Drexel family, decided to become a nun and devote her life to helping the most oppressed people in the US– the Indians and Blacks.  She used her inheritance to start her own order, called the Sisters of the Blessed Sacrament.  She built 12 schools for Indians, and 50 schools for African-Americans, including Xavier University of Louisiana.  Starting schools for Black folk in the South was considered subversive by the racist white power structure in those days.  One of the first schools she built in the south was burned down.  She had to work through an intermediary to buy the land for Xavier University, since it wouldn’t be sold if they knew Drexel was buying it to start a college for Blacks.

Drexel’s order was based in Philadelphia, where she trained the nuns to be teachers and missionaries.  They had a farm, where whey had livestock and food crops, to feed the nuns.  My grandfather– my mother’s father– managed that farm.  My mom knew “Mother Katherine” and was a lay student at the school.  In the previous chapter in this series, “Little White Boy,” I mentioned that my mom raised me not to be racist.  Now you know where she got that from.  My mom also was never impressed by the haughty attitudes of the rich and their cynical politicians. 

My Dad

My dad, on the other had, came from a typical white family in Mississippi and grew up in that racist environment.  But he was a “black sheep” in his family.  Many of you may not know this, but the Democratic Party in the South was a one-party dictatorship, racist and ultra-conservative, serving the wealthy white class, basically from about 1875 to about 1968.  My dad in his teenage years in the 1930’s began supporting the Republican Party, which was consistent with this conservative economic views.  In 1963, he was one of a handful of supporters of the Republican candidate for governor in Mississippi.  Of course that failed because the white Democratic Party machine rigged all the elections in Mississippi.  5 years later, after Blacks won the right to vote, most white conservatives would join my dad in the Republican party.  But long before others joined him, my dad was willing to stand alone for his political principles, and go against the mainstream, including his own family.  I remember him having political conversations with me, telling me how two-faced the politicians were.

I once asked my dad why he wasn’t racist like everyone else in his family.  He said being in the Navy, and working alongside Black folk there, is what changed him.  Being a “black sheep” politically anyway, it was easier for him to abandon old attitudes.  No doubt meeting and marrying my mom influenced him further in this direction. 

Little White Boy

In the summer between my junior and senior year of high school, I grew from 5’2″ to 5’7″.  I know this because I was so self-conscious of being smaller than all the other boys in my class (and most of the girls) that I would measure my height every month in hopes that I was growing.  It finally happened that summer.  I was now at least average height.  I would continue to grow to 5’9″ over the next year.  It was a great relief.  For the first time– my senior year– I finally felt comfortable about my size.

I think it was my small size, and fear of bullies, that also contributed to my innate sympathy for oppressed and discriminated groups of people.  It in addition to my support for the Black Civil Rights Movement, I was supportive of the women’s movement for equal rights, and the gay rights movement.  This took no soul-searching on my part;  it was innate.  Afterall, people who oppress other people just because of their sexuality, gender or race are just bullies, when you come right down to it.

So there you have it:  my small size, my parents’ non-racism, my dad’s willingness to stand alone for his political principles, my mom’s contempt for the rich and haughty, my own experiences growing up and making friends with Blacks and Mexican-Americans, the liberal Catholic Youth group and the teachings of Jesus in the Gospels, the “Sixties” in the news and the music, finding a book in the library about socialism– all of that was the background and influences of my youth and led me to becoming a radical political activist after I turned 18.  No doubt there’s something in my DNA, too.

In Part 3, I’ll talk about how I joined a socialist group in college and because a political activist for the next 18-20 years, before changing my focus to music.

End of Part 2. Click here for Chapter 3, “The Missing Years, Part 1”

Little White Boy (Part 1)

autobiography, Civil Rights Movement, Rob Roper, ,

(Autobiographical Notes)

(Originally published in an email to my music list, August 5, 2020. Edited and published to the blog October 15, 2020.)

In the summer of 2020, I sent a series of autobiographical emails to my mailing list. Many wrote back and suggested that I post them as a blog to reach a wider audience, so I am doing that here.

I’ve been observing the recent Black Lives Matter protests over police killings with great interest, because I used to organize protests like that when I was young.  I was a radical political activist from around age 18 to 36.  That’s why my music career got such a late start.  Hardly any of you know that about me, because I haven’t told you.  It’s time I did. 

Little White Boy

I’m going to begin with my childhood, because the environment in which I was raised directly influenced my political outlook.  I told this story to Lori Grebe Cook at a class in the 2004 Song School, and she wrote a song about my childhood called Little White Boy.  I recorded the song on the Misfit  album, and play it live frequently.  Sometimes I told an abbreviated version of the story when I’ve played it live.  Now, for the first time, I’m going to tell you the full story, the one I told Lori.

Photo from Misfit Booklet
from the Misfit Deluxe Edition booklet

I was born in Jackson, Mississippi, in 1954, the year the Supreme Court declared segregated schools illegal.  My dad was a southern Baptist from a small farming town south of Jackson, called Hazlehurst.  My mom was an Irish Catholic from Philadelphia, Pennsylvania.  They met during the Korean war when my dad was stationed at the Navy base in Philadelphia, and my mom worked there as a civilian employee.  They got married, and bought a house in Jackson, where I was raised.  My dad wasn’t especially religious, however, my mom was, and insisted that the children be raised Catholics.  In Mississippi.  In the 1950s.

How many of you know what the South was like in the 1950’s and 1960’s?  Ever heard of segregation, or Jim Crow?  Ever hear of the Civil Rights Movement?  I grew up in that environment.  Blacks and whites were segregated.  There were separate water fountains– “white” and “colored.”  Separate bathrooms.  Separate schools.  Seperate neighborhoods.  Separate everything. 

I have a memory of going to the zoo as a small child, and seeing the separate water fountains, one labelled “white” and the other “colored.”  I turned each of them on and looked at the color.  They were the same.  I tasted the water from each, they tasted the same.  I told my mom I didn’t understand what the difference was.

Little White Boy, Little White Boy
Rises to the tip of his toes
and drinks from the Colored water fountain
where no white men go
He thinks it will taste like colored crayons
black, blue, orange and green
He thinks it will taste like colored crayons
different than the water he’s seen
What’s the difference?
Oh, mama, please?
What’s the difference?
It tastes the same to me.
But that wasn’t the worst.  The worse part– for Black folks– was that they were discriminated in every walk of life.  There were places they couldn’t go, jobs they couldn’t have, opportunities unavailable to them.  The were relegated to the hardest and lowest-paying jobs.  They were insulted and degraded.  A 50-year-old educated black man, upon meeting an 8-year-old illiterate white boy, would have to step aside, take off his hat, and say, “Good morning, Mister Billy.”  The the white boy might say, “‘morning, BOY.” 

And Blacks were denied the right to vote, so they had no legal recourse to changing the situation.

The worst was the violence.  In August, 1955, when I was having my first birthday, a 14-year-old black boy from Chicago named Emmett Till was visiting relatives in northerm Mississippi.  Being from Chicago, and ignorant of the dangers, he was supposedly “sassy” with a white woman grocery store clerk.  The Ku Klux Klan kidnapped him at night, killed him, and dumped his body in the Tallahatchie River.

The killing of Emmett Till, however, ignited the Civil Rights Movement.  The NAACP focused on lawsuits, while new organizations, such as the Southern Non-Violent Coordinating Committee (SNCC), composed of black college student activists, organized to demand voting rights and an end to segregated facillities.  Mississippi– my home state– had more civil rights activity than any other southern state, according to the excellent book by John Dittmer, Local People:  The Struggle for Civil Rights in Mississippi.

Cover of Local People

In May, 1963, when I was nine years old, black and white civil rights activists sat down at the lunch counter at Woolworth’s in downtown Jackson.  This was a planned act of civil disobedience;  Blacks and whites weren’t allowed to sit together at restaurants;  Blacks weren’t allowed in the better “white” restaurants at all (except as workers).  A mob of white racists gathered and poured ketchup and other condiments on them, and then began beating some of them.  The police arrested… the non-violent protesters.  This made the national news.  A month later,  Medgar Evers, President of the Mississippi NAACP, was murdered in his front yard.  Both of these events occurred within 10 miles of our house.

The following summer of 1964, Black and white college students came to Mississippi as a part of SNCC’s Freedom Summer campaign to organize Mississippi Blacks to demand the right to register to vote.  Two white students– Andrew Goodman and Mickey Schwerner, and a Black Mississippi organizer James Chaney, were arrested in Philadelphia, Mississippi (northeast of Jackson), and handed over to the KKK and murdered.  They weren’t the only ones.  But these murders made the national news.  Now middle class white kids were being killed.  This added to the pressure on the federal government to pass civil rights laws.

But all the civil rights activity was oblivious to this Little White Boy, living in a white neighborhood, attending white schools.  I have no memory of these events.  Kids didn’t watch the news, or read the newspaper.  And I don’t remember my parents or teachers talking about the events.  All I remembered from this time was that the city government closed the public swimming pools, rather than integrate them as required by an NAACP lawsuit.  I remember this Little White Boy thinking to himself, I don’t mind if black kids are allowed in the pool, I just want to swim!

I do remember, however, in 1966, when I was 11, seeing a civil rights march when my dad was taking me and my brothers to a barber shop.  I didn’t understand anything at the time, but the look of determination on the faces of the marchers made an impression on me.

My parents, unlike most whites at the time, raised us not to be racist.  We were taught never to use the “N word.”  This may seem like no big deal today.  But it was a big deal back then, in that environment.  When I would try to correct my white playmates, then would ridicule me, calling me a “nigger lover.”  “What’s the matter?” they would ask, “aren’t you proud to be white?”  On top of that, I remember being ridiculed at the lunch table in the third grade for being Catholic!  

I was in a difficult spot– no one wants to be socially ostracized from your neighborhood and school friends.  And of course there was the threat of violence from the bullies.  I was very small as a young boy;  much smaller than the other boys my age, so I had no confidence in my ability to defend myself in a fight.  To this LIttle White Boy it seemed like my family was an island of non-racists in an ocean of white racism.  We were out-numbered– by far.  So I walked a thin line;  I didn’t join the other kids with their racist jokes and comments, but I didn’t challenge them, either.  Still, I felt like a coward for not wanting to be beaten up or ostracized.

Now you know where this word in The Screwup Song comes from:  “I’ve been selfish and lazy, a coward and a fool.”

Perhaps I was being too hard on myself.  Those are tough choices for young child in that environment.  But I remember feeling that back then.

Black men marching, black men marching
on a bubbly blacktop street
Sweat is dripping, burns their eyes
lashes bring them to their feet
Little White Boy, Little White Boy
lean against a barber pole
Watching white men’s faces scowling
like red-hot coals
What’s the difference?
Oh, papa, please?
What’s the difference?
Is this the way it has to be?

When I entered the 7th Grade in the Fall of 1966, our Catholic school was integrated.  A few black students were enrolled.  (Public schools were still segregated, despite the Supreme Court ruling 12 years earlier.)  I remember being excited;  I thought it was cool.  And as the white students got to know and play with the black students, I saw the racism break down.  A new generation of anti-racist white youth was being created.  For me personally, I vowed I would no longer remain silent whenever a white kid said something racist to me, regardless of the price I had to pay.  It was personal now.

After the 7th grade, my dad took a job in Dallas, Texas and moved the family there.  Once again, I lived in a segregated white neighborhood, and attended a segregated white public school.  I remember thinking Texas was behind Mississippi.  But whenever a schoolmate or neighbor said something racist, I told them I didn’t want to hear that kind of language in my presence.  And guess what?  I was never beaten up, I wasn’t ostracized, nobody stopped being my friend.  I think, deep down, they knew I was right and they (or rather, their parents), were wrong.  A coward no more.

Little White Boy, Little White Boy
rises to the tip of his toes

Less than a year after we moved to Dallas, in April, 1968, I was “camping” in a friend’s backyard when the news came over the transistor radio that Martin Luther King, Jr. had been murdered.  I remembered being very shook up, and depressed.  I thought things were changing.  They were, but progress is not a straight line.

After moving to Dallas, I stayed in touch with my best friend Jorge in Jackson.  In the Fall of 1971, my senior year of high school, Jorge sent me a copy of the Jackson Catholic High School student newspaper.  The lead article was an endorsement of Charles Evers for governor of Mississippi.  Evers was the first Black person to run for governor of Mississippi.  He was the brother of the murdered Civil Rights leader, Medgar Evers.  One of the editors was my former classmate in the 7th grade, when our elementary school was integrated.  I remember being so proud of him and my other former classmates.  I knew this took courage, because I assumed at the time that their parents, teachers and the school administration would have been outraged and come down on them for this.  But, in hindsight, I suspect there were a lot of white people besides my parents who were not racist but too intimidated to speak up.

Photo of Charles Evers

The cover of the newspaper, shown here, quotes the chorus of “Southern Man” by Neil Young, which had become the anthem of anti-racist white youth like me.  A few years later, Lynyrd Skynyrd would attack Neil Young’s song with “Sweet Home Alabama,” which became the anthem for southern white racists.

This is the story I told Lori at the 2004 Song School.  She managed to condense it down to 3 verses and a chorus.  I could never have done that, as you can see by length of this email! 

Fast forward to the present:  I wanted to go to downtown Denver and join the protests, and, under normal circumstances I would have.  As you now understand, opposition to racism is part of my history;  it’s part of who I am.  But the protests were happening in the midst of the Coronavirus pandemic, which is more deadly for older people.  I’m 65.  From the photos I saw, most protesters were not wearing masks or practicing social distancing.  So I had to hold myself back.  It was too risky for me.  I can’t die yet, I have a lot more music to create and record and perform.

But please check out this song and video by several Denver hip-hop artists about the Black Lives Matter protests. 

In the second half of this series, I will resume at age 17 and cover the next 20 years.  I’ll explain how my childhood experiences, combined with the general atmosphere of the “Sixties,” led me both to playing music, and becoming a radical political activist.  There was no way I could do both, so I relegated music to a hobby.  I would reverse those priorities in my mid-thirties.

End of Part 1. Click here for Part 2.

Coronavirus and Musicians

"Rob Roper", Coronavirus, COVID-19, music business, , ,

(This is an edited post from my website homepage March 29, 2020.)

Like all musicians, all my gigs have been cancelled due to measures taken to stop the spread of the Coronavirus. Not only can we no longer do what we love– play our music live for people– but it impacts us financially as well. I ask music fans who haven’t lost your jobs to support your favorite bands and solo artists by one or more of the following ways:

Buy records– CDs or vinyl.
Some people, myself included, like to have physical copies of our favorite albums. For one reason, listening to a record on a good home stereo provides superior fidelity. Secondly, many record have cool artwork and information on them. Thirdly, music that lives in the “cloud” can disappear anytime because you don’t own it. Nobody can take a record away from you.

Buy paid downloads.
Unfortunately we receive virtually no money when you listen to our music on streaming platforms such as Youtube, Spotify, Pandora, etc. So if that’s the main way you listen to music, please consider buying some paid downloads to help us out. Bandcamp allows you to pay more than the listed price for a download to support the artist. And Bandcamp is a great way to discover new artists!

Join the Artist Fan Clubs.
Many bands and solo artists have a fan club on platforms like Bandcamp and Patreon, where you can make a regular monthly contribution. Please consider this, at least until we can gig again.

Attend Ticketed Live Internet Shows

In many cases, the only way to hear artists live during the shutdown is by live internet shows. Organizations such as Side Door sell tickets to shows using the Zoom software. Please consider paying more than the listed ticket price to support the artist.

Other live video streaming platforms, such as Facebook Live and Google Youtube, don’t pay us for our performances. (But of course they keep all the money from advertisers.) For artists who stil use these artist-hostile platforms, most will provide a way to tip them. Please consider doing so.

How You Can Help Me:
If you want to support me during the shutdown, the best way is to go to my Rob Roper Bandcamp Site and my Total Flower Chaos Bandcamp Site and buy Downloads, CDs and Tshirts. On the Rob Roper Bandcamp Site you will also find the Misfit Club where you can make regular monthly contributions. Misfit Club members have exclusive access to live recordings and things not available to the general public.

With a little support from our fans, solo artists and bands be able to get through this. As of this writing there’s no light at the end of the tunnel, but hopefully the day isn’t too far away when we can all get back to doing what we love– playing live music for you. And you can get back to doing what you love– going out to hear live music.

–Rob September 5, 2020

2019 in Review

"Rob Roper"

After restoring the blog, I see that the last post was the 2018 Year-ini-Review. So before posting new stuff, I thought it might be useful to post my 2019 Year-in-Review, even though it’s 8 months late.

My acoustic band, Scupanon, continued playing gigs in 2019, with Diamond Jim Hewitt replacing Paul Ermisch on violin. Janet Lipson continued with backing vocals, and Sam Caston re-joined on percussion on a few gigs. We played a total of 13 gigs, mainly at breweries, but also a very successful gig at Swallow Hill, the big folk music venue in Denver. 45 people paid an average of $10/ticket to see us play there. Videographer Dave Briggs filmed it and edited two song videos, so we finally have a couple of decent videos for promotional purposes.

Electric Poetry played two more gigs, then came to an end. The drummer, bass player and lead guitarist had moved on to a new band. That was just as well, because I wanted to form a new band– Total Flower Chaos– that would play all my songs, including (and especially) my political songs such as “Metadata” and “I Didn’t Believe,” as well as my rock instrumentals, that weren’t being played by Electric Poetry. Also, I was doing almost all the administrative and promotional work for Electric Poetry, and decided that, in my next band, I would make it a requirement that all band members contribute to that work. It’s too much, and not fair, for one person to do it all. I ran a Craigslist ad and recruited a new bass player, Ryan Watts, towards the end of the year.

I released two singles in 2019 for download and streaming, Voice of Doubt under the Total Flower Chaos bandname, and My Favorite Disguise, under my own name.

I resumed voice lessons after an 8-year layoff, this time going with Molly Zackary at Swallow Hill. I’m learning a lot and improving.

Playing the gigs with Scupanon and Electric Poetry resulted in an expansion of my fan base– a 15% increase in the email list. In addition, 13 CDs were sold at those gigs and 2 tshirts.

For the second year in a row, I met my goal of breaking even financially with music. Music income exceeded expenses by $189. And I also broke even in music gear sales and purchases for the second year in a row.

In September, one month after turning 65, I quit my day job, and resumed doing music full-time. Hopefully I will not have to take another day job for the rest of my life. The goal is for music income to continue covering music expenses, and Social Security and my retirement savings to pay my living expenses.

In summary, I feel like I succeeded in my mission of serving the misfits with my music in 2019. I made progress and am moving forward. I had high hopes for 2020– forming a new rock band and starting to play gigs by May, and continuing to play gigs with my acoustic band, but a little virus would wreck those plans. So I shifted gears and learned how to play solo internet shows, and decided to make my next big record instead.

Rob Roper September 5, 2020