My blogs thus far have been from the point of view of a music creator. But I’m also a music lover. I’ve been going out to hear live music, individuals and bands, for years. So I thought, blogs being a perfect forum for rants, complaints and pet peeves, I’d list my longstanding grievances about many live music venues. Don’t get me wrong–I’m grateful that they provide a venue for live, original music–but I wish they would have…
Tables and Chairs
I can understand a dance venue not having tables and chairs, or a venue that has punk or rock bands where people thrash or dance. But when the music is for listening, I like to sit on a chair, and have a table to set my drink on. I really hate to have to stand during the entire show, my back starts hurting, my feet start hurting, and then there’s the issue of what to do with my drink when each song is over and I want to applaud? Put it on the floor? In my armpit? Between my legs? Or just don’t clap and yell instead? What if I really like the song and want to yell and clap? It’s so much more enjoyable to be able to sit at a table, have a few drinks, and listen to the band. For venues that have all kinds of bands, well, take the tables and chairs out for the dance bands, and put them back for all others.
I suspect that some venues take the tables and chairs out in order to pack more people in and sell more tickets. Well, I can understand why they want to make more money, afterall, they’re a business. But frankly, I avoid going to these venues, unless it’s someone I just can’t miss, so they’re actually hurting their business by not having tables and chairs, at least for people who feel like I do.
Local Beer
I live in Denver, and there are many small breweries in Colorado that make great beer. So why do so many live music venues only have the boring corporate beers? Dude: support small business! You’re a small business, for chrissakes! Support your small business comrades. And their beer is more interesting than the big corporate beers. When I asked bartenders at these corporate beer venues in Denver (which, incidentally, are also the table-less and chair-less venues, hmmm….), I was told, “we’re a Miller bar”. Seems Miller has made some sort of exclusive agreement with them to ban local beers, and only sell Miller and it’s large European corporate partners (Guiness, Pilsner-Urqell, Newcastle). OK my anti-corporate bias is coming out here. But it’s not just that; small local breweries’ beer is better tasting than the large corporate beers.
So listen up, corporate beer, chair-less and table-less live music venues: change your ways, and you’ll get a bigger share of my entertainment dollars.
Sound
Why is that, all too frequently, despite very high quality equipment, the mixes are so bad? I was at a show recently, at a small venue, and the drums were WAY too loud, and you could barely hear the singer. You definitely couldn’t hear the lyrics. Now, as a songwriter, I know how much time, heart, pain and suffering goes into creating lyrics. What a shame that nobody can hear them. And speaking of drums, who invented the lamentable modern standard of mixing the bass drum and snare WAY louder than the drum kit as a whole? The lack of balance sounds awful. A good drummer makes use of more than just the bass and snare, and I, for one, would like to hear it all. I didn’t come to a show just to hear a bass drum and snare drum. I came to hear music; I came to hear a band–the whole band–including the lyrics. And how many times have you seen this: one band member, perhaps the lead guitar player–is playing his heart out, but you can’t hear it, because the sound guy is… I dunno, either deaf or asleep? Isn’t he paying attention?
I’ve done a little live sound, and I recorded and mixed my own cd’s, so I know it’s not as easy as it may seem. And everyone has their own tastes in terms of mixes. But when one band member can’t be heard at all, and another is WAY louder than everyone elses, I don’t understand that.
OK now that I’ve got all that off my chest, guess I should get off the computer and go practice guitar, or piano, or write a song. Or clean my bathroom.
-Rob
Paul here. We met one night in late 2008 at Herman’s Hideaway. Sean introduced us. We saw the Railbenders at a benefit show for a local music producer. Great show, fun time, fantastic band, CRAPPY sound! I couldn’t agree with you more, except on the tables-and-chairs thing. More people in the bar paying a cover charge equals more money for the band not just the bar. How about drink rails around the dance floor and again around the walls for a compromise? And how about putting some sound dampening material on the walls. I don’t care if it is professional grade or just a cheap tapestry someone’s child’s third grade class made at their liberal arts grade school in Boulder. No wood paneling or sheet metal. If the band wanted reverb and echo, they would have purchased the effects units to make it happen.
hmmm, i am completely agree with your post a venue without a sitting arrangement is not so cool.. sometimes after dancing a person needs to catch his/her breath and the best way is to sit somewhere and what if they don’t have chairs, lol